Special Report from ProPublica
by Michael Friberg, Matter
Documenting the water crisis in the West, a photographer confronts distress, beauty and man’s complicity.
Text and photos by Michael Friberg, special to ProPublica July 7, 2015 – A collaboration with Medium
The Southern Nevada Water Authority is finishing a $1.4 billion tunnel and pumping station that amounts to a drain hole in the bottom of Lake Mead, a project that some think will allow nearby Las Vegas to continue taking water even after the generators and pumps in the Hoover Dam stop operating.
“Killing the Colorado,” a joint reporting project by ProPublica and Matter, set out to tell the truth about the American West’s water crisis. As serious as the drought is, the investigation found that mismanagement of that region’s surprisingly ample supply has led to today’s emergency. Among the causes are the planting of the thirstiest crops; arcane and outdated water rights laws; the unchecked urban development in unsustainable desert environments; and the misplaced confidence in human ingenuity to engineer our way out of a crisis – with dams and canals, tunnels and pipelines.
Michael Friberg said:
“The hardest thing about photographing this project was that all of this was and is beautiful. Lake Powell looks like a prehistoric sea on the surface of another planet.”
Four photographers – Christaan Felber, Bryan Schutmaat, Jake Stangel and Michael Friberg – were enlisted by photo editors Luise Stauss and Ayanna Quint to document man’s mistakes and their consequences. Friberg, who has lived in the West for the last decade, thought he knew the issues facing the Colorado River. He soon discovered he was wrong.
When I received this assignment to photograph varying aspects of the man-made infrastructure put in place to control every last drop of water coming from the river, I was blown away by the sheer scale of it all. We decided to structure my road trip around three so called “lakes” (reservoirs) that each serve a different function in supplying water and power to the almighty, never-ending expansion of western megacities.
At the Hoover Dam.
Said Gary Wockner, executive director of Save the Colorado, an advocacy group:
“The Colorado River is already extremely depleted. There is nothing left to give, and it’s time to go to plan B, which is water conservation efficiency. It’s faster, cheaper and easier than building these new dams.”
A hallway inside the Glen Canyon Dam.
What I encountered along the way was both awe-inspiring and profoundly discouraging. The Navajo Generating Station in Page, Arizona was created almost for the express purpose of providing the power needed to pump water hundreds of miles, up over mountains, to Phoenix. The Glen Canyon Dam created Lake Powell, which is not really a lake at all but a massive twisting, turning reservoir with nearly 2,000 miles of shoreline. The Central Arizona Project is a nondescript-looking canal that flows out of the side of a hill coming from Lake Havasu. It runs at a languid pace for over 300 miles, providing a large percentage of the water that central and southern Arizona cities receive.
The Parker Dam on the border of California and Arizona. Said to be the “deepest dam in the world,” with some 235 feet of it below the riverbed of the Colorado.
A portion of the Central Arizona Project canal. Arizona built its $4.4 billion mega canal in in order to lay claim to its full share of water from the Colorado River.
When I got to Lake Mead, it looked like a dirty toilet: a huge ring encompassed the entire shoreline. We stumbled upon a marina that was abandoned, old food still rotting in the kitchen, the docks bent upward by the ground they were never supposed to touch.
At Lake Mead, nearly 40 miles southeast of Las Vegas, water levels have dropped nearly 140 feet from their high.
The Navajo station’s infernos gobble 15 tons of coal each minute, 24 hours each day, every day.
The hardest thing about photographing this project was that all of this was and is beautiful. Lake Powell looks like a prehistoric sea on the surface of another planet. The dams are all monumental achievements to man’s both genius and hubris. Even the coal plant, an easy target for photographers, ripe with clichés, was beautiful in its own way.
Said Jared Blumenfeld, of the Environmental Protection Agency:
“The mechanics of moving water is just lost on people.“
If water levels drop enough at Lake Mead, the federal government will declare a shortage and Nevada and Arizona will face dramatic cuts in supply.
How can you show these things without romanticizing them? Trying to figure out how to show the scale of all of these projects without making saccharine images of dams and lakes was the biggest challenge.
Turbines inside the Glen Canyon Dam, a great source of electrical power for the American Southwest.
Lake Powell, which sits behind the 700-foot-tall Glen Canyon Dam and is the nation’s second-largest water reserve, has recently fluctuated between 39 and 51 percent full.
Throughout, I was constantly reminded of my own complicity. I live in a big city in the West and while I might not get my water from the Colorado, I sure as hell get it from some other man-made reservoir. When I turn on the lights in my house, I’m sure it’s from a coal-fired plant I’d rather not think about.
The only thing that gives me hope is that if we could figure all of this out 60 or 70 years ago, hopefully we can do it again.
The Navajo Generating Station promised to take the traditional coal plant and supersize it, employing state-of-the-art generators to produce 2,250 megawatts of power, more than all but a handful of the operating plants in the nation at the time.
As water levels in Lake Mead outside Las Vegas continued to fall, the city’s growth raced on, all but unchecked.
A view from the Hoover Dam.
Photographer Michael Friberg said of the water crisis:
“I was constantly reminded of my own complicity. I live in a big city in the West and while I might not get my water from the Colorado, I sure as hell get it from some other man-made reservoir.”